Movies Update: ‘Wicked: For Good’ is here.
Also, a slippery documentary about true crime.
Movies Update
November 21, 2025

Hi, movie fans!

Something “Wicked” this way comes. (Sorry I couldn’t resist.) That’s right, it’s the much-awaited “Wicked: For Good,” the conclusion to the two-part musical adaptation overtaking theaters this weekend. After a seemingly never-ending press tour, the movie is expected to make major bank at the box office, which I’m sure will be welcome news to Hollywood after a rough couple of months.

But what about the movie itself? In her review, Manohla Dargis, our chief critic, writes that Part 2 is “less frenetic, more downbeat,” even if the film “does everything it can to accentuate the positive.” It’s also, she writes, a showcase for Ariana Grande, who plays the ostensibly good witch Glinda to Cynthia Erivo’s Elphaba. Though it’s not quite a rave or a pan, the review concludes that the film “is finally most convincing as a story of an intense, soulfully nurturing female friendship.”

(By the way, you might have read that the film has two additional songs that weren’t in the original Broadway musical. Find out how those songs came to be.)

If “Wicked” isn’t your thing, we have several critic’s picks for you, starting with “Train Dreams,” starring Joel Edgerton as a laborer in the early 20th century. It’s a “luminous adaptation of Denis Johnson’s 2011 novella,” writes our critic, Alissa Wilkinson. There’s also “Cutting Through Rocks,” an illuminating documentary about the first woman elected to the council of her Iranian village, and “Cactus Pears,” an understated Indian drama about a closeted gay man finding romance. Or try the slippery “Zodiac Killer Project,” about the true-crime genre. Is it a tribute, a takedown or an analysis? Yes.

Whatever you decide to watch, enjoy the movies!

CRITICS’ PICKS

Two men with beards sit on the grass, leaning against a tree and holding hands, looking at each other.

Sabar Bonda/Strand Releasing

Critic’s Pick

‘Cactus Pears’ Review: Finding Intimacy Amid Grief

This understated Indian drama follows closeted gay man gingerly initiating a romance with an old friend.

By Natalia Winkelman

Two women in winter clothes stand outside. One holds onto a motorbike handlebars, while the other is behind her.

courtesy of Gandom Films

Critic’s Pick

‘Cutting Through Rocks’ Review: The Only Way Out

A documentary about Sara Shahverdi, the first woman elected to the council of her village in Iran, is propelled by her no-nonsense resourcefulness.

By Sheri Linden

ANATOMY OF A SCENE

A green-skinned witch wearing a black pointed hat and cape flies through the sky on a broomstick. Flyiing monkeys are behind her in the background.

Universal Pictures

Anatomy of a Scene

Watch a ‘Wonderful’ Moment From ‘Wicked: For Good’

The director Jon M. Chu narrates a sequence from his film featuring Ariana Grande, Cynthia Erivo and Jeff Goldblum performing the song “Wonderful.”

By Mekado Murphy

MOVIE REVIEWS

A young girl in a school uniform and backpack stands on a bridge facing an adult man in casual clothes. Cherry blossom trees line both sides of the bridge.

James Lisle/Searchlight Pictures

‘Rental Family’ Review: Lost in Impersonation

Brendan Fraser is quietly endearing in this fish-out-of-water tale of an American actor in Tokyo who accepts some highly unusual assignments.

By Jeannette Catsoulis

A rugged, bearded man with a determined expression drives a vehicle with cracked windows and bullet holes, gripping the steering wheel.

Sony Pictures

‘Sisu: Road to Revenge’ Review: Slapstick Rambo

In this sequel to the 2023 exploitation film, blood-splattered inanity becomes a delirium of popcorn fun.

By Brandon Yu

Mark Wahlberg and Michelle Monaghan sit at a cafe in Paris. Behind them is the Seine.

Apple TV

‘The Family Plan 2’ Review: A Relaxing Vacation? Maybe Not.

Mark Wahlberg and Michelle Monaghan return in a better executed, equally goofball sequel about a family’s tangles with organized crime.

By Lisa Kennedy

The Washington Monument is seen from behind a man, across the river.

The Age of Disclosure/Farah Films

‘The Age of Disclosure’ Review: Release the Extraterrestrial Files

A documentary argues that the U.S. government needs to divulge what it knows about the phenomena formerly called U.F.O.s.

By Ben Kenigsberg

A woman with long dark hair, wearing a sparkly purple halter top, smiles while looking slightly to the side against a dark background.

Netflix

‘Selena y Los Dinos’ Review: Still Dreaming of You

In this look back at the singer Selena, the director Isabel Castro presents home video footage and photographs that have not been seen in other documentaries.

By Chris Azzopardi

A woman with white-blonde hair is illuminated by a circular light on one side.

Obscured Releasing

‘Stop the Insanity: Finding Susan Powter’ Review: When Fame Recedes

A documentary tracks the highs and lows of the 1990s fitness guru, now a food delivery driver in Las Vegas.

By Glenn Kenny

NEWS & FEATURES

As out-of-focus figures hold up camera phones, two women in off-the-shoulder gowns stand before them, smiling.

Suhaimi Abdullah/Getty Images

‘Wicked’ and the Never-Ending Press Tour

The pink-and-green-themed promotions were everywhere, with all the advantages and limitations that kind of marketing push entails.

By Esther Zuckerman

A woman in pink with a tiara and a woman with green skin in black clothes and a pointy witch's hat.

Giles Keyte/Universal Pictures

How 2 New Songs Made Their Way Into ‘Wicked: For Good’

Each witch gets a new number as part of an effort to flesh out the arc of the stage show’s second act.

By Esther Zuckerman

A black-and-white illustration in charcoal pencil shows a person in a hat from behind, pointing a camera.

Illustration by Antoine Cossé

Critic’s Notebook

Can You Believe the Documentary You’re Watching?

A combination of technological developments and market forces is undermining the trust between viewer and filmmaker. What’s at stake is history itself.

By Alissa Wilkinson

A woman with bare shoulders and arms rests her head in her palm while looking straight ahead out a window.

Pop. 87 Productions/Focus Features