Watching: Sci-fi romance and drama
Time loops and trouble adopting
Watching
March 11, 2026

Dear Watchers,

Yes, it is the week leading up to the Academy Awards ceremony, which airs on Sunday. But no, on this Genre Movie Wednesday, we will not be talking about the Oscars’ new casting category or Timothée Chalamet’s ballet and opera opinions.

Instead, we’re diving into a near-future science fiction drama that offers a hot take on parenting. And we’re pairing that with a time-loop romance that upends expectations.

Our sci-fi expert Elisabeth Vincentelli describes the appeal and intrigue of both selections below. Read her thoughts on each, then head here to check out a few more of her skewed-reality picks.

Happy Watching.

‘The Assessment’

A man and a woman sit side by side on a beige sofa in a dimly lit room. The man has a beard and wears a dark vest over a shirt, while the woman is in a white dress. A large abstract painting hangs on the wall behind them.
Himesh Patel and Elizabeth Olsen in “The Assessment.” Magnus Jønck/Magnolia Pictures

Where to watch: Stream “The Assessment” on Hulu.

The scientists Mia (Elizabeth Olsen) and Aaryan (Himesh Patel) live a life of luxury in an isolated seaside compound, where they have the time and resources to conduct their research. The one thing missing to complete their picture-perfect life is a child, but in the future earth of this movie by the director Fleur Fortuné, you can’t just go and make one: The only way is to be evaluated for adoption.

The cryptic, totalitarian-sounding authorities send Virginia (Alicia Vikander) for a weeklong evaluation that involves role-playing and practical tasks. (Any couple that has found itself on the brink of divorce after trying to assemble an IKEA wardrobe will sympathize.) It may be one of the darkest films ever made about parenting.

It quickly becomes hard to determine when Virginia is acting out as part of the test and when she is having a genuine reaction. (Admittedly, it is also hard to feel for Mia and Aaryan when they fall into obvious traps.) Still, “The Assessment” gets better and better as the story becomes increasingly perverse, and as we get to know Virginia. The film ends on a smartly equivocal note that may determine whether viewers see a glass as half-empty or half-full.

‘Spark’

A man with curly hair and a serious expression looks intently at someone in the foreground, whose face is out of focus.
Danell Leyva, left, with Theo Germaine in “Spark.” Freestyle Digital Media

Where to watch: Stream “Spark” on Tubi, The Roku Channel and Amazon Prime Video.

Out on a birthday scavenger hunt, Aaron (Theo Germaine, “The Politician”) is paired with the brooding Trevor (Danell Leyva), a man of few words and sexy eyebrows. They hook up, but in the middle of sex Aaron wakes up at home, back at the start of the day.

Yes, this is a time-loop story. Aaron, who has fallen for the enigmatic stranger, uses the do-overs to fine-tune the date — changing his hair style, grilling Trevor about his taste in music so he can pretend to enjoy the same bands. Soon Aaron realizes that one way to prevent the clock from resetting is to avoid sex and actually get to know Trevor — not easy for someone with intimacy issues.

About half of Nicholas Giuricich’s “Spark” explores familiar terrain, albeit with matter-of-fact queer representation. But then the movie veers off into less predictable territory. Let’s just say that Aaron’s roommate, Dani (Vico Ortiz, from “Our Flag Means Death”), has a role to play and that we eventually get Trevor’s perspective. This last development is a departure from the usual time-loop template, leaving the lead character’s point of view and giving agency to someone who appeared to be a bystander.

EXTRA-CREDIT READING

A collage of three stills from different movies (left to right), featuring Blake Lively in “The Town”; Matthew McConaughey (top right) in “Interstellar”; and Lady Gaga (bottom right) in “House of Gucci.”

Vote on Your Favorite Miscast Stars in the Movies

A new Oscar celebrates the process of matching actor and role. But whether a star is hired for artistic or box office reasons, mismatches can be memorable. Here our favorites from recent decades. What do you think?

By Manohla Dargis, Stephanie Goodman, Mekado Murphy, Maya Salam and Alissa Wilkinson

Side-by-side portraits of the same woman with serious expressions. On the left, from a film still, she has wavy hair. On the right, from a television series, she has curly hair. Both images are set against a gold border.

The Projectionist

Did You Know These Oscar-Nominated Actresses Started in Reality TV?

Hollywood careers don’t always begin where you expect them to, as Jessie Buckley, Teyana Taylor and Emma Stone could tell you.

By Kyle Buchanan

Seen through the back window of a car, a woman in sunglasses and a checkered top is seated in the front seat but turning her head to look back.

With a New Oscar on the Line, the Process of Casting Has Changed Drastically

What once involved an actor and a casting director in a room is now a technologically advanced exercise with pros and cons for performers.

By Esther Zuckerman

An older woman with curly hair holds a phone to her ear, looking concerned. She is surrounded by tall stacks of papers, creating a sense of clutter or busyness in the black-and-white image.

Five International Movies to Stream Now

This month’s picks include a Mexican drama, a Japanese crime thriller, an absurdist French comedy and more.

By Devika Girish

Timothée Chalamet, wearing a coat and a hat that says “A Chorus Line,” sits in a crowd.

Critic’s Notebook

Timothée Chalamet Has a Point About Ballet

This art form is alive, and Chalamet, who comes from a dance family, knows it. But what value does ballet have for the world at large?

By Gia Kourlas

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