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Weekly Movie Guide
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Glenbard West High School students have made a documentary short, “Hollywood on the Hilltop: ‘Lucas’ 40 Years Later,” about the film that premiered at the Glen Art Theatre in 1986.
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Jerry O’Connell, Corey Feldman and Wil Wheaton were already thinking about “Stand by Me” when Rob Reiner died in December. They’re currently on a multi-city tour that brings them to The Chicago Theatre at 7 p.m. June 14.
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The Virgil is the setting for most of the ambitious but ultimately cramped horror-comedy “They Will Kill You,” a wonderful vehicle for its star, Zazie Beetz, while not exactly fulfilling in either the horror or comedy modes.
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“Mike & Nick & Nick & Alice” might look like a somewhat generic, glossy action-comedy on the surface. It’s got two men north of 50 (Vince Vaughn and James Marsden), one woman south of 40 (Eiza González) and the promise of some violence (you know, the fun kind).
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Christian Petzold’s beguiling and restorative new drama “Miroirs No. 3” begins with a glance and a car crash.
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Neither Sofia Coppola nor Marc Jacobs were convinced a documentary was a good idea. Jacobs wasn’t sure he wanted to be the subject of one and Coppola wasn’t sure she wanted the pressure of being the person behind the camera. This was her friend of over 30 years, after all. What if the film wasn’t good?
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The mostly Korean language film “BTS: The Return,” debuting Friday, March 27, on Netflix, offers an intimate look at BTS’ journey to their latest album, “ARIRANG.” It also follows the seven member group — RM, Jin, Jimin, V, Suga, Jung Kook and j-hope — as they learned to reacclimate to their life in the fast lane, together again.
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Anyone who grew up in Chicago area in the 1960s and tucked a transistor radio under their pillow at bedtime will remember the voice of Dick Biondi. Now he is the subject of a documentary.
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The Oscar-winning Norwegian family drama “Sentimental Value,” a “Hannah Montana” anniversary special starring Miley Cyrus and fresh music from Robyn and Charlie Puth are some of the new television, films, music and games headed to a device near you.
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“Project Hail Mary” is bringing audiences to movie theaters in numbers the industry hasn’t seen for a nonfranchise film since “Oppenheimer.” The science fiction epic starring Ryan Gosling earned around $80.5 million in ticket sales in its first weekend playing in North America, according to studio estimates Sunday.
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