“My father enjoyed sculpting patacabras. So, when I was fourteen and told him I wanted to work in leather, he sculpted a patacabra for me. Thirty years later, I’m still using the same one. It makes me think of him.”
– Francisco J. Ramírez Jiménez, leather-working artisan. “Rhythm of the workshop” chapter on page 107.
The pages of Longue Vue offer a behind-the-scenes glimpse into Polène’s leather-working expertise, shedding light on the patacabra, the emblematic leather-working tool prized by its artisans.
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