Ahead of the BAFTA Games Awards, we’re exploring what it really takes to score for games today.

Composer Lucy Hayes, whose work spans PlayStation and beyond, reflects on her journey into interactive scoring, from her early training in jazz to the realities of working in game audio. She shares how composing for games changes your approach, asking you to think less like a composer and more like a player.

Read the full editorial to see what that path looks like.

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What makes a great video game score? Composer Lucy Hayes breaks it down

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