It's curious to see the Netflix documentary Raygun: Breaking Badly be as sympathetic as it is to breakdancer Rachael Gunn, who found notoriety after an ungraceful performance at the 2024 Olympics. The film does a convincing job arguing that Gunn is innocent of some of the charges against her — that she participated as some kind of joke (she legitimately seems to have enjoyed breaking as a hobby), or that she was only there because her husband had pull in the Olympic selection process. The story emerges instead as one about a woman mostly interested in a fun experience who utterly failed to anticipate how it would look to be so far out of her depth on the world stage. There is a deeper story to be told about the role of race in the public reaction to her — that this white woman tried to step, without adequate training or talent, into a high-profile moment for an art form with deep roots in Black and brown communities. Unfortunately, the film doesn’t explore that idea as it could have. But as a representation of Gunn’s side, of how it all looked and felt to her as it happened, much about it is telling in ways she both does and doesn’t intend.
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