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Welcome back to What I’m Hearing, very early today because I wanted to get you
some major executive news before I head to the Dodgers game. (Pray for some hits!)
P.S.A.: The Town’s film school tour is back! We’re doing three on-campus live shows this fall: Phil Lord and Chris Miller on October 20 at USC, Zach Cregger on October 28 at Loyola Marymount, and Bill Hader on November 10 at UCLA. Admission is for film students and alumni only, but all episodes will appear on The
Town feeds.
Tonight, a shocker: Netflix has fired its chief content officer Bela Bajaria amid the engagement slump and failed Warner Bros. bid. And her replacement is a familiar name. Plus, the return of Jeff Shell, the erstwhile Paramount president whose dramatic exit earlier this year has now led to a secret new venture. And more…
Discussed in this issue: Ted Sarandos, Greg Peters, Peter
Rice, Jean-Claude Van Damme, David Ellison, Reese Witherspoon, Dave Portnoy, Elizabeth Holmes, Peter Chernin, Dan Lin, Bela Bajaria, Bob Chapek, Noah Centineo, Brad Pitt, Josh D’Amaro, Gerry Cardinale, Tyler Perry, Mark Lazarus,
Lachlan Murdoch, and… cheap YouTube creators.
Still not a Puck member? Just click here. Got a news tip or an idea for me? Just reply to this email, text me, or message me on Signal at 310-804-3198.
Let’s begin…
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- Bela out, Peter Rice in at Netflix: This one is both shocking and, given the bad place Netflix finds itself in these days, not entirely surprising. I’m told that Bela Bajaria, the Netflix chief content officer who has been an executive at the company since 2016, is leaving. She’s telling her team this afternoon. Bajaria has been in the top creative role since early 2023, spearheading the company’s $20 billion content budget and launching everything from
Bridgerton to Squid Game to WWE and the NFL. Netflix declined to comment, but the streamer’s recent struggles are no secret to Puck readers. Engagement increased just 2 percent in the first half of 2026. In July, Netflix generated 7.8 percent of viewing on connected TVs, compared to 14.2 percent for YouTube, according to Nielsen. And co-C.E.O. Ted Sarandos recently admitted the platform is “not growing as fast as I want us to.” The share price is off more than
40 percent since last year, when Sarandos and co-C.E.O. Greg Peters made a failed bid for Warner Bros. Chasing a growth narrative, Netflix has launched everything from video podcasts to live events to shows from cheap YouTube creators. It also laid off about 1,000 employees this week. Sarandos and Peters really seem to be grasping at what to do here, and, as often is the case at stalled media companies, they’ve decided to change the content leadership. Film chief Dan
Lin is expected to join Bajaria on the firing line, though that hasn’t happened and will be her replacement’s decision.
According to two sources, taking Bela’s place will be Peter Rice, the producer and former Disney and Fox executive. Rice was in the top content job at Disney until he was fired in 2022 by then-C.E.O. Bob Chapek, who either felt threatened by Rice or didn’t think he was enough of a Disney team player. Erudite and respected by
talent (he once ran the Fox Searchlight arthouse movie unit, and I just sat next to him at a Toronto screening of the Oscar contender Wild Horse Nine), Rice brings a notably different sensibility to Netflix than Bajaria, whose global television experience and preference for populist fare were seen as a way for Netflix to broaden its audience from its origins in HBO-style prestige dramas like House of Cards. But Rice has overseen wide swaths of Disney’s content studios and
networks, and he managed the transition from Fox to Disney and the integration of thousands of employees, which could be valuable to Netflix if it tries to buy another studio. Like, say, NBCUniversal, which will soon be split off from Comcast. It’ll be interesting to see who Rice empowers to run the movie division.
Obviously a lot more to come on this subject, but let’s move on… - Reese is the new Portnoy: That was my first thought when I heard
Reese Witherspoon was teaming with France’s Mediawan to buy back her Hello Sunshine production company from Blackstone’s drain-circling Candle Media, which valued it at a stupid-sounding $900 million about five years ago. Dave Portnoy sold Barstool Sports to gambling giant Penn Entertainment in two deals totaling $550 million, then bought it back for $1 three years later, after Penn realized Portnoy is a jackass who caused problems with regulators.
Reese
is not a jackass, but she’s also getting a steep discount—way less than $50 million for the whole thing, in cash and stock, per a source familiar. Candle bought the business at the peak of Peak TV, and it was never clear why a largely fee-for-service production company with a book club would be worth so much. Witherspoon wasn’t even required to include Hello Sunshine in her acting projects! But just like Portnoy, Reese will likely get another bite at that apple when Mediawan eventually sells.
It’s already rolled up Brad Pitt’s Plan B, Peter Chernin’s North Road, and Slow Horses producer See-Saw Films, offering stock in the company that presumably will become a windfall when the next P.E.-backed suckers want to overpay to play in Hollywood. - Box office over/under: Opening in just 800 theaters, I’ll bet A24’s Elizabeth Holmes doc will beat Melania, which debuted to $7 million
earlier this year on more than twice the screens. Sad! Among wide releases, Paramount/Legendary’s Street Fighter is tracking to a surprising $43 million, per NRG. Others have it in the mid-30s, so let’s set the line at $40 million, and I’ll take the under. Noah Centineo is no Jean-Claude Van Damme!
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Now on to some Skydance-adjacent news…
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After a summer in the severance wilderness following his bizarre departure from
Paramount Skydance, Shell is ready to milk what remains of the linear boom—and with familiar investment partners.
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| Matthew Belloni
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Jeff Shell is back! I know, it hardly seems like the former Paramount president
has been out of the spotlight very long. It was only April when I reported that Shell would step down from the Ellison-owned studio amid a bizarre scandal involving company secrets that he may or may not have disclosed to a notorious Vegas gambler/semiprofessional whistleblower whose wife wanted a TV show. That rise and fall followed Shell’s previous exit as C.E.O. of NBCUniversal, in 2023, after an investigation into an allegedly inappropriate relationship with a
female subordinate.
Now, after a summer in the severance-pay wilderness, Shell is plotting his next next move—and doing it with some familiar faces. Per four sources, he’s planning to launch a stand-alone investment vehicle to acquire and manage linear television assets. Not a roll-up, per se, but Shell will identify and either acquire or invest in cable TV networks, individual stations or station groups, and other formerly valuable brands that have withered in the streaming age.
Think BET, MTV, HGTV, History Channel—the networks that managed to mean something to cable viewers—plus stations like those owned by Sinclair or Nexstar, or maybe some owned-and-operated stations that the broadcast networks want or need to sell. Declining assets, almost all of them, and hardly the sexiest corner of the entertainment business, but still quite valuable, at least based on the annual revenue they generate. And not exactly positioned well inside publicly traded media
conglomerates whose shareholders demand quarterly growth and a future-proof narrative.
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According to sources familiar with his thinking, Shell believes moving linear assets to a private
vehicle will allow him to ride out the slow decline of TV while using the cash to build ancillary businesses. Sort of like Versant, the Comcast spinoff of its linear networks run by Shell’s old NBCU colleague Mark Lazarus, which recently bought the sports technology company Full Swing to pair with its Golf Channel. But Versant is still a public company, subject to the whims of investors and analysts, and ShellCo would be private, presumably free to extract water from the melting
ice cubes without having to articulate, say, a coherent streaming strategy for CNBC—though CNBC and other channels will likely have some streaming future, giving Shell the possibility of further upside. And not coincidentally, working outside the public sphere might help Shell avoid the tight regulations and scrutiny that led to his previous defenestrations.
And to fund the whole thing? I’m told Shell is negotiating with RedBird Capital, the media investment firm that backed
Paramount, now Skydance, and employed him before he went to work directly for Ellison after the Paramount deal closed. Shell and RedBird’s Gerry Cardinale have stayed in contact, I’m told, and when Shell pitched his plan, Gerry agreed to write the checks.
The size of the financial commitment will be substantial but is dependent on the deals Shell identifies. He could go after groups of networks or stations, or pursue smaller transactions for distinct brands or businesses.
The venture likely won’t launch until the first or second quarter of 2027, after Shell’s noncompete with Paramount expires in April—though he doesn’t plan to compete directly with his former employer. Both Shell and reps for RedBird and Paramount declined to comment. (Usual disclosure: RedBird is also an investor in Puck.)
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It’s an interesting move, especially given how little the investor and analyst communities seem to
value linear assets. That’s actually part of the Shell thesis—that traditional TV, while shrinking, isn’t disappearing anytime soon. The U.S. pay TV business lost 885,000 subscribers in the most recent quarter—not great, but a marked improvement compared to the 1.34 million lost during the same quarter last year, per MoffettNathanson. The firm suggests that the sub count across cable, satellite, and virtual providers like YouTube TV could stabilize at around 50 million subscribers by
2030.
That would be off about half from Peak Cable in 2010 and down from the 62 million that currently pay for a linear bundle. And while skinnier and sports-specific packages will further chisel away at channel carriage, the networks business will continue to generate revenue for years—or at least as long as the NFL airs its games on broadcast. Fox’s Lachlan Murdoch basically threatened to mobilize the family’s political allies and push for an end to the league’s
antitrust exemption unless a big chunk of games remain on broadcast, so the full transition to streaming is still a ways away. Or at least, so the theory goes.
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Still, despite all the chatter about Disney and Paramount and Versant offloading their zombie cable
networks, we haven’t seen any activity. In fact, Ellison pledged the opposite with CNN, vowing to keep the influential news network and its $700 million in profit last year to help pay for the Warner Bros. Discovery merger. But now that the merger is done, and Skydance is loaded down with about $80 billion in debt, the strategy could change with respect to other networks. I’ve heard of at least one potential buyer for Comedy Central, and Tyler Perry was circling BET at one
point.
For RedBird, the Shell venture could even act as a complement to the Skydance investment. If Ellison wants or needs to sell assets, Shell could be sitting there eager to take networks or stations off his old boss’s hands. I think Shell and his potential operational partners would probably be happy to buy BET, and maybe Nickelodeon. Disney, with its share price under pressure and investors clamoring for a growth narrative, just sold its 50 percent interest in A+E Networks to Hearst,
suggesting that new C.E.O. Josh D’Amaro might be open to further offloading of the “non-core” channels like Freeform or even FX. (Hearst, while private, might also want to think about jettisoning Lifetime or History while they’re still pretty valuable.)
Shell plans to be waiting with open arms, hoping to get a discount on the cashflow. Look at how much value the P.E. firm TPG is squeezing out of DirecTV since acquiring the 70 percent owned by AT&T, whose
shareholders were practically demanding it be sold due to cord-cutting. Fitch estimated this summer that DirecTV is generating about $3 billion in free cashflow a year. (Disclosure: TPG is an investor in Puck.)
Cable TV may be dying, but one of the genius things about that business is how easy it is to use and how hard it is to cancel, especially for old people. There’s likely still a whole bunch of money to be made based on that factor alone.
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See you Monday, Matt
Got a question, comment, complaint, or a prayer for the Dodgers?
Email me at Matt@puck.news or call/text me at 310-804-3198.
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