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Filmmakers tinker with the question of tone from project to project, many not as much as they should. But writer-director Osgood Perkins has no problem with tonal adjustment.

Chicago Tribune

‘The Monkey’ review: Stephen King’s killer toy becomes director Osgood Perkins’ plaything

Writer-director Osgood Perkins makes a hard left into merrily grotesque slapstick with his new film, his fifth, “The Monkey.” The knob has been turned to a distinctly different tonal setting: Merry death, dismemberment and nicely timed sight gags, rolling along, with a dash of sincere parent/child bonding.

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