Theater Update: Nicole Scherzinger sings with a bullhorn
‘Stranger Things’; Jinkx Monsoon; Jeremy Jordan
Theater Update

April 23, 2025

Dear Theater Fans,

Here’s something you don’t see every day: At today’s matinee of “Sunset Boulevard,” a sound board failed. The show’s star Nicole Scherzinger entertained the crowd by singing into a bullhorn, and then the audience was sent home. Michael Paulson has the story, and we have video.

The eligibility deadline for the 2025 Tony Awards is this Sunday, which means this is a busy week for our critics. “Stranger Things: The First Shadow” opened last night, and Elisabeth Vincentelli wrote in her review that while the “occasionally breathtaking” production “fulfills its franchise requirements in terms of spectacular art direction” the show is a little less “satisfying as a piece of theater.”

Though “Floyd Collins” may be “structurally unruly,” Laura Collins-Hughes wrote in her review, the musical about a trapped cave explorer “reaches the sublime.” That’s partly because of the show’s star, Jeremy Jordan, who spoke to Elisabeth about the challenges of performing large sections of the show while lying down, almost immobile, on a sort of chaise longue. He told her that when you don’t have use of your hands and body, “you’re left with just the words and the emotion, just the song and the character and the music.”

Four more shows are scheduled to open this week: “Pirates! The Penzance Musical” (Thursday); “Just in Time” (Saturday); and, on Sunday, “Dead Outlaw” and “Real Women Have Curves.” Then next Thursday, Sarah Paulson and Wendell Pierce will announce the nominations on the Tony Awards official YouTube page. A handful of categories will be unveiled, starting at 8:30 a.m. on “CBS Mornings.” We’ll have more information on how to watch and what to look out for in next week’s newsletter.

Speaking of “Real Women Have Curves”: I found the title song to be a real earworm. Give it a listen here, and see the charming cast members performing the number on “Good Morning America.”

Please reach out to me at theaterfeedback@nytimes.com with suggestions for stories or to offer your thoughts about our coverage. And urge your friends to subscribe to this newsletter.

Have a wonderful week,
Nicole Herrington
Theater Editor

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NEWS AND FEATURES

Jinkx Monsoon in a green, floral corset licks a sword.

OK McCausland for The New York Times

A Monsoon Is About to Hit These Pirates

Jinkx Monsoon talks about feeling like a lifetime of hard work is finally paying off, and her return to Broadway as a zany maid in “Pirates! The Penzance Musical.”

By Elisabeth Vincentelli

Three women pose in a space with gray concrete-like walls.

Thea Traff for The New York Times

Pushing Sisyphean Beach Balls and Honoring Obstacles

Celia Rowlson-Hall’s “Sissy” at the Baryshnikov Arts Center, a dance-theater hybrid featuring Marisa Tomei, pokes at the boundaries between art and life.

By Brian Seibert

Storm Lever and Ariana DeBose sit at adjacent lighted vanity mirrors at a white counter. A man behind Lever adjusts her wig.

Jenny Anderson

Up Close

There’s No People Like Show People

In a new book, the Broadway photographer Jenny Anderson captures the craft and camaraderie of making theater.

By Jennifer Harlan

REVIEWS

Article Image

Sara Krulwich/The New York Times

‘Stranger Things: The First Shadow’ Review: An Origin Story for the Stage

This Broadway production delivers lots of spectacle as it winds back to the teenage years of Henry Creel, an antagonist from the Netflix series.

By Elisabeth Vincentelli

A man in an orange T-shirt and a young woman in a white T-shirt sit on the floor inside a cabin. Two bunk beds line the back wall.

Sara Krulwich/The New York Times

Review: Little Adds Up in the Elusive ‘Grief Camp’

Les Waters’s production for Atlantic Theater Company is marvelously realized, despite the limitations of the play’s often maddening script.

By Elisabeth Vincentelli

A woman in a black, sequined dress sings at the center of stage. Three women in purple tops dance behind her.

Sara Krulwich/The New York Times

‘Macbeth in Stride’ Review: A Leap and Stumble Into a Classic

One of the most performed and reimagined works of English literature becomes a fourth-wall-breaking musical revue.

By Maya Phillips

Four people sit on an illuminated ledge in a theater.

Sara Krulwich/The New York Times

Critic’s Pick

Review: Caryl Churchill Times Four Makes an Infinity of Worlds

“Glass. Kill. What If If Only. Imp,” a new collection of one-acts by the great British playwright, is a cause for celebration, wonderment and grief.

By Jesse Green

THEATER GUIDES

A gaunt man in a black suit, with a woman in white holding a candle behind him.

Marc Brenner

Theater to Stream: David Tennant as ‘Macbeth,’ ‘Death of England’ and More

Take in Shakespeare, experimental theater and a three-play series on the fallout of Brexit, all available to watch at home.

By Rachel Sherman

Two men speak to each other over a coffee table in a living room, with a row of spectators behind them.

Emilio Madrid

13 Off Broadway Shows to Tempt You in April

New short plays by Caryl Churchill, a comedy with one erstwhile Derry Girl and a musical starring Anika Noni Rose — here’s what’s on New York stages this month.

By Laura Collins-Hughes

A woman rubs a man's shoulders as another man sits in the background holding a guitar.