Good morning. It’s Monday. Today we’ll look at a $185-a-ticket immersive production whose director sees parallels between Louis XIV’s Versailles and 21st-century New York.
Tonight, after closing time in a luxury department store in Lower Manhattan, they’re going to party like it’s 1679. There will be actors and singers in velvety waistcoats and breeches, or in opulent gowns with puff sleeves. The Louis XIV look won’t be the only allusion to the Sun King’s court during a three-hour immersive performance. Attendees will be given vials of powder. Don’t worry, says the director of the event, Andrew Ousley — the vials won’t be filled with poison, as they were in a notorious incident at Versailles. These vials will contain nothing more than food coloring and the powder that puts the pastels in Parisian macarons. But the ringleader distributing the powder will be sentenced to death, as the original provocateur was 345 years ago. Ousley built the performance piece, “The Affair of the Poisons,” around one of the most sensational scandals of 17th-century France, one so overwhelming that Louis XIV shut down the investigation after his favorite mistress was implicated. Ousley is staging the production with opera singers and the Versailles Royal Opera Orchestra, which was formed in 2019 for the French premiere of John Corigliano’s opera “The Ghosts of Versailles” in — where else? — the opera house that Louis XIV had commissioned at the palace itself, outside Paris. Now the orchestra is on its first tour of the United States. And, as “The Affair of the Poisons” unfolds, the audience will encounter members of the Brooklyn dance troupe Company XIV, including a candelabra-balancing belly dancer. Ousley did not know about the scandal until he began doing research for the piece that became “The Affair of the Poisons.” “Everything I read about it made me more astounded, not only by how over-the-top wild it was but how relevant it was to the present day,” when New York is struggling with issues of affordability and income disparity, he said. But back to 17th-century Paris. Arsenic — “untasteable and untraceable” — had come into vogue, and “people were poisoning their spouses or mistresses,” he said. “Louis’s favorite mistress was plotting to poison him as well as a newer mistress who had gained his favor.” The poison came from Catherine Deshayes Monvoisin, a midwife and fortune teller known as La Voisin who had apparently counted the favorite mistress, Madame Athénaïs de Montespan, as a client for years. Worried that Louis’s affection was waning, Montespan had tried to poison the newer, younger mistress, who was a teenage lady-in-waiting at Versailles when Louis noticed her. La Voisin, who will be portrayed in “The Affair of the Poisons” by the drag opera artist known as Creatine Price, did more than traffic in poison: Ousley said that Montespan would lie nude while La Voisin poured blood over her. After the poison scandal broke, a special tribunal was convened, and more than 30 people were sentenced to death. But Louis suspended the proceedings once Montespan was implicated. “The scandal got a little close to home,” Ousley said. The setting for “The Affair of the Poisons” will be Printemps, the French department store that opened in March at 1 Wall Street. Ousley called it “55,000 square feet of some of the most intentional, thoughtful luxury.” The audience members will be served hors d’oeuvres prepared by Gregory Gourdet, the store’s culinary director, and wine from Bouchaine Vineyards, whose proprietors, Gerret and Tatiana Copeland, underwrote the tour for the orchestra. (The tour includes another performance on Wednesday at L’Alliance New York, the French cultural center in Manhattan.) Ousley runs a nonprofit called Death of Classical, which puts top-flight performers in unusual places like crypts and catacombs around New York. But he said, “even by my standards this is one of the most insane things we’ve done.” It is also one of the most expensive, at $185 a ticket, which, he acknowledged, is a lot of money. “There’s no question that New York City is in the midst of a massive affordability crisis, not to mention ever-increasing income disparity,” he said. “The problem isn’t luxury in and of itself, but rather luxury as an end unto itself.” Still, he said, Death by Classical’s programs are value propositions. Tonight, he said, attendees will leave with a goody bag. Among the items inside will be “a small candle by Trudon from, wait for it, their Versailles collection.” The candle sells on Amazon for $70. WEATHER It’s going to be a bright one! Prepare for a sunny day with temperatures nearing 84. Tonight will be clear with a low around 66. ALTERNATE-SIDE PARKING In effect until Aug. 3 (Tisha B’Av). The latest Metro news
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Dear Diary: Our mom, Deborah, died in 2011. She was a New Yorker. After 14 years, upon my leaving the military, my sister and I finally had the time to go through her stuff. Plus, I am studying law at Columbia now, which means we can visit the storage unit in Bedford-Stuyvesant once a week. We call it Mornings with Mom. It’s not cheap to keep the unit, so the goal is to empty it out as quickly as possible. But our progress is delayed by nostalgia and curiosity. It’s hard to simply save our mom’s journals. We get caught up in reading the entries aloud to each other. We reminisce over what we remember: family photographs, clothes our mom loved to wear that still smell like her closet, and other trinkets. We find some gems we never knew existed: Mom’s application to law school, newspaper clippings she saved that are still relevant today, some truly fabulous shoes. We reread our favorite children’s books and vow to read them to our cousins’ children. We save the M.R.I. scans of the masses in her breasts, though we are not sure why. We find names of her friends in a Filofax from the 1980s. Some still live in New York. I call one of the numbers. “This is Deborah Edelman’s daughter,” I say. “She passed away in 2011, but my sister and I found your contact. Do you remember her? If so, would you like to meet?” We meet for drinks, swap stories and become friends. This summer, box by box, my sister and I are working our way through the collection. When we finish going through enough for the day, we call it quits and get a drink. — Julie Roland Illustrated by Agnes Lee. Send submissions here and read more Metropolitan Diary here. Glad we could get together here. See you tomorrow. — J.B. P.S. Here’s today’s Mini Crossword and Spelling Bee. You can find all our puzzles here. Davaughnia Wilson and Ed Shanahan contributed to New York Today. You can reach the team at nytoday@nytimes.com. Sign up here to get this newsletter in your inbox.
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