Movies Update: In the suburbs: swimming pools, dinosaurs
Plus, the camera shot that changed horror movies forever
Movies Update
August 14, 2026

Hey, movie fans!

As we cruise into the final weeks of summer, “Spider-Man” and “The Odyssey” continue to dominate at the box office. But new options are making their way to theaters. Might we interest you in a period suburban dinosaur thriller?

“The End of Oak Street,” from David Robert Mitchell, places Anne Hathaway and Ewan McGregor in the path of prehistoric creatures that trample into a once-quiet neighborhood. In her review, Elisabeth Vincentelli writes, “You could argue that it’s not ‘good’ by conventional standards, but the film has a sui generis oddness that’s rare in summer popcorn productions.”

If you’re looking for a smaller, more intimate choice, there’s the drama “Union County,” about two brothers battling drug addiction in rural Ohio. In her review, the critic Jeannette Catsoulis writes that the film is “downbeat without being depressing” and “a compassionate portrait of a Sisyphean endeavor.”

In other news, how often have you seen the racing point-of-view camera shot in movies and on TV? You know: the one that speeds toward a person — and maybe even into someone’s mouth? That kind of shot was a signature of the 1981 horror classic “The Evil Dead.” And the critic Jason Zinoman writes about how ubiquitous the camera move has become.

Whatever you decide to watch this weekend, enjoy the movies!

CRITICS’ PICKS

Two men stand outdoors hang near a brick wall, one wearing a camouflage-patterned cap under a dark hooded sweatshirt while smoking a cigarette, and the other wearing a dark T-shirt and sunglasses tucked into his collar.

Oscilloscope

Critic’s Pick

‘Union County’ Review: High Stakes, Understated Portrayals

Will Poulter and Noah Centineo play troubled siblings in this simple, downbeat story set amid the opioid epidemic in rural Ohio.

By Jeannette Catsoulis

A group of medical professionals in surgery; they wear masks and hospital scrubs.

Watermelon Pictures

Critic’s Pick

‘American Doctor’ Review: Going to Gaza to Help, in Any Way They Can

This documentary by Poh Si Teng focuses on a planned medical trip to Khan Younis, in the southern Gaza Strip, by physicians from the United States.

By Ben Kenigsberg

A young man with curly hair and a young woman with bangs stand facing each other on a sandy beach beside a shaded table with food.

A24

Critic’s Pick

‘Tony’ Review: An Appetite for Experiences

On 1970s Cape Cod, a young Anthony Bourdain chases love and finds his future in this rambunctious, utterly charming little movie.

By Jeannette Catsoulis

ANATOMY OF A SCENE

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Anatomy of a Scene

How Jane Schoenbrun Has Fun With Horror (and Chicken) at Camp Miasma

The director discusses a key scene from “Teenage Sex and Death at Camp Miasma,” featuring Hannah Einbinder and Gillian Anderson.

By Mekado Murphy

MOVIE REVIEWS

In a movie scene set in an unfinished space with discarded furniture, a man raises his arms over his head and lifts one leg high, as if exercising. A window behind him shows trees.

Film Forum

Documentary Lens

Scenes of Aging Friends Add Up to Something Profound

In “The Bend in the River,” Robb Moss catches up with the subjects of two of his previous films as they reflect on their lives and what’s left.

By Alissa Wilkinson

A man and a woman walk together under a large tree in a grassy field, dressed in casual work clothes.

Kyle Kaplan/Black Bear

‘The Rivals of Amziah King’ Review: The Banjos and the Bees

Matthew McConaughey is put to his best use in years in this somewhat messy, but often rollicking film about a beekeeper and the foster child who reappears in his life.

By Brandon Yu

Kristen Stewart, in a leather bra and green shorts, crouches next to Alia Shawkat, in an oversize black T-shirt, near a briefcase with vials of pinkish liquid.

Neon

‘The Wrong Girls’ Review: Dazed, Confused and Psychic

Kristen Stewart and Alia Shawkat play telepathic best friends in this stoner comedy where a laboratory-engineered hallucinogen is on the loose.

By Natalia Winkelman

A woman wearing a blue striped shirt with a Jenna name tag sings on stage. Pies are visible on racks in the background.

Netflix

‘Don’t Say Good Luck’ Review: A Bittersweet Big Break

Sunny Sandler and Melanie Lynskey capture hope and heartache in this melodrama about a daughter’s open door and a mother’s awful diagnosis.

By Lisa Kennedy

An image of Mason Thames and Kylr Coffman as two adolescent boys playing music in a garage.

Inaugural Entertainment

‘Nimrods’ Review: American Idiots

A band of misfit teens aspires to make their musical dreams come true in this Green Day-produced rock comedy.

By Calum Marsh

An image of a lone Victorian-style house in the middle of a mountainous region.

Kino Lorber

‘Dead Souls’ Review: A Mean Satire About American Exploitation

The “Repo Man” director Alex Cox returns with an unabashedly weird western, where he plays a mysterious stranger in an Arizona border town, circa 1890.

By Beatrice Loayza

In a scene from the film, J.K. Simmons stands across from Jeff Daniels, with a house in the background.

Angel Studios

‘The Brink of War’ Review: When the U.S. and U.S.S.R. Came Together

Written and directed by Michael Russell Gunn and produced by Angel Studios, the film chronicles the frustrating 1986 summit between Reagan and Gorbachev.

By Glenn Kenny

A 1960s one-seat racecar is ahead of two white cars on a racetrack.

MoMA

‘Fast’ Review: She’s Got Good Traction

Rob Tregenza’s latest film follows a young woman in Virginia who wants to be a professional racecar driver.

By Nicolas Rapold

NEWS & FEATURES

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Maddy Rotman for The New York Times

The Rom-Com Gets Political

In “One Night Only,” Monica Barbaro and Callum Turner play singles living in a world where the government has banned premarital sex. How far-fetched is that?

By Ashley Spencer and Maddy Rotman

A black-and-white portrait of Alia Shawkat and Charlotte Day Wilson.

Heather Sten

admiration society

For These Artists, the Creative Life Is a ‘Choose Your Own Adventure’

“The Wrong Girls” actress Alia Shawkat and the R&B artist Charlotte Day Wilson discuss their views on creative collaboration, romantic love and spending time alone.

By Rose Courteau

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Warner Brothers/Photofest; Getty Images

Style Detective

The Perfect Jacket for a Love Affair in Paris

We help a reader track down a quilted garment worn by Julie Delpy in the film “Before Sunset.”

By Angela Koh